{"id":2559,"date":"2024-10-06T19:07:26","date_gmt":"2024-10-06T19:07:26","guid":{"rendered":"https:\/\/the-new-curious-city.blog\/?p=2559"},"modified":"2024-10-06T19:23:39","modified_gmt":"2024-10-06T19:23:39","slug":"the-all-widows-a-lion-out-of-place-split","status":"publish","type":"post","link":"https:\/\/the-new-curious-city.blog\/the-all-widows-a-lion-out-of-place-split\/","title":{"rendered":"The All Widows \/\/\/ A Lion Out of Place Split"},"content":{"rendered":"\n<p>On Friday the 13th of September, a new anomaly emerged in Charleston\u2019s soundscape. The <em>All Widows \/\/\/ A Lion Out of Place<\/em> split showcases John Shafer\u2019s twinkling riffs and impassioned vocals as All Widows, while Nate McKinley\u2019s faraway voice sings subtleties behind cloaked chords as A Lion Out Of Place. It\u2019s only 25 minutes long, but it\u2019s more than enough to get lost in. You\u2019ll be reeled in immediately by All Widows<em>\u2019<\/em> explosive start, and by the end, you\u2019ll find yourself wandering through A Lion Out Of Place\u2019s sonic wilderness.<\/p>\n\n\n\n<p>All Widows \/\/\/ Mixed by Cristobal Gato.<br>A Lion Out of Place \/\/\/ Mixed by Tyler Beall.<br>All tracks \/\/\/ Mastered by Cristobal Gato.<\/p>\n\n\n\n<p>As a Charlestonian, this album art immediately invoked a timeless nostalgia in me. Sunsets over marshland, grandeur, too often taken for granted. A thin veil of fire splitting the sky. Let\u2019s talk about that split.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Split\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0uwZqSLqxnq5CBVe1u9pQ2?si=-INMEeIuTO2D392QM0yQYw&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>All Widows&nbsp;<\/strong><\/p>\n\n\n\n<p>As this hauntingly ferocious work takes off, All Widows kicks off with \u201cForgive Me for Saying So, And God Bless \u2018em\u201d -which blazes onto the scene with a fiery burst of lofi emo rock. Springy mathrock riffs pop up throughout the 5 tracks on All Widows\u2019 side and serve as a sort of catharsis for the intense lyrical content, vocal strain, and noisy effects.<\/p>\n\n\n\n<p>All Widows swerves around glassy rhythms as they bleed out on \u201cTurkish, the Fight Is Half the Battle.\u201d The track spins up in angst as the lines, \u201cSpeaking repeating the same fucking words\u201d come round and round.&nbsp;<\/p>\n\n\n\n<p>Screaming and rapid fire riffage hook us into track 3 before we\u2019re left desperate and desolate on \u201cLet the Cold Water Run.\u201d John Shafer sings, \u201cIt was always gonna end like this,\u201d as the track crumbles.<\/p>\n\n\n\n<p>Entrancing waves of melancholic melodies ripple through \u201cAlbatross\u201d as echoed voices float to the top. The enchanted seaside feeling is brought to life by a veil splashing ambience. It serves as a beautiful interlude before All Widows\u2019 last cut.<\/p>\n\n\n\n<p>That intensity is fired back up as janglepop strings fly haywire on \u201cHomecoming is Cancelled.\u201d<\/p>\n\n\n\n<p>\u201cSomething is better than nothing,\u201d resounds through the track in a screaming conclusion to All Widows\u2019 side.&nbsp;<\/p>\n\n\n\n<p>Favorite track: \u201cAlbatross\u201d<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>A Lion Out of Place<\/strong><\/p>\n\n\n\n<p>Plug your headphones in. Nate McKinley\u2019s contributions to the split compose a foggy soundscape, full of lush acoustic guitar playing and interesting chord voicings reminiscent of Elliott Smith. The vocals throughout bellow beyond the track\u2019s that house them, echoing endlessly.<\/p>\n\n\n\n<p>On \u201cHow Much Is Enough\u201d, those ghostly guitars rip at the track like a rushing tide. Nate McKinley\u2019s vocals ring through it all in lofi sounds, as if hearing something from above while you&#8217;re stuck swimming below.&nbsp;<\/p>\n\n\n\n<p>\u201cMorning Haze\u201d is a fitting name for the next track, which muffles its lovely vocals in steady strumming before breaking down into ornate picking patterns. It\u2019s easy to get lost in this disorienting dawn<\/p>\n\n\n\n<p>\u201cSomewhere to be Now\u201d illustrates a voyage in its hypnotic melodies that waver back and forth, all the while chords crash like a storm-battered shore. McKinley calls out the track\u2019s namesake in exhaustion.<\/p>\n\n\n\n<p>The album concludes with \u201cToo Late\u201d which fades away in the sounds of silver strings.<\/p>\n\n\n\n<p>Favorite track: \u201cSomewhere to be Now\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/alionoutofplace.bandcamp.com\/album\/split-w-all-widows\">Support the Split on Bandcamp<\/a><\/p>\n\n\n\n<p>thanks for the tape, Nate!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/the-new-curious-city.blog\/wp-content\/uploads\/2024\/10\/soph-1024x768.jpg\" alt=\"\" class=\"wp-image-2567\" srcset=\"https:\/\/the-new-curious-city.blog\/wp-content\/uploads\/2024\/10\/soph-1024x768.jpg 1024w, https:\/\/the-new-curious-city.blog\/wp-content\/uploads\/2024\/10\/soph-300x225.jpg 300w, https:\/\/the-new-curious-city.blog\/wp-content\/uploads\/2024\/10\/soph-768x576.jpg 768w, https:\/\/the-new-curious-city.blog\/wp-content\/uploads\/2024\/10\/soph-1536x1152.jpg 1536w, https:\/\/the-new-curious-city.blog\/wp-content\/uploads\/2024\/10\/soph.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>On Friday the 13th of September, a new anomaly emerged in Charleston\u2019s soundscape.<\/p>\n","protected":false},"author":2,"featured_media":2560,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[129,1,81,128,79],"tags":[19],"artist":[193,220,192],"genre":[105,97,98,182],"coauthors":[86],"class_list":["post-2559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums","category-all","category-features","category-music","category-reviews","tag-charleston","artist-art-star","artist-dawning","artist-show-me-mary","genre-emo","genre-indie-folk","genre-indie-rock","genre-screamo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - 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